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Beco Das Garrafas

Beco das Garrafas – Bottles Alley

A movement begins…

The success of Gilberto’s 1958 Chega De Saudade record inspired many young Brazilian musicians, and a movement ensued. Two important gathering places emerged. The first was the guitar studio of Roberto Menescal (1937–) and Carlos Lyra (1939–). Students would gather at apartments to play and socialize. The family of singer and guitar student Nara Leão (1942–1989), who was just a fourteen-year-old girl at the time, offered the living room of their home in the Copacabana section of Rio. Many of the future greats attended these informal sessions.

Beco das Garrafas – Bottles Alley

The second brought the music beyond the private circles of musicians and involved three small nightclubs (Little Club, Bacarat, and Bottles) along a side street in Copacabana known as Bottles Alley. These clubs became the meeting place for many musicians interested in the new style and gave the public the unique opportunity to see how the music was developing. The pianist Sérgio Mendes (1941–) and his Bossa Rio Sextet as well as Luiz Eça and his Tamba Trio appeared regularly, along with other up-and-coming musicians such as Dom Um Romão.

Sérgio Mendes recalled this in the 2007 BBC documentary: Brasil Brasil! “Part 1: From Samba to Bossa.”

“Rio was wonderful. There was a bar named the Bottles Bar and that’s where I started playing. There was a trio and everybody used to come there every night – Baden Powell, Jobim...

“There was a club on the end of the street called the Little Club. We would do jam sessions there. And every jazz musician that would come to Rio would stop by. And you know, it was just wonderful, wonderful times in the early sixties in Copacabana, Rio de Janeiro.”

Quotes

Well, I grew up across the bay from Rio in a small town. My dad was a doctor, my mum a house-wife, and I spent my time playing football on the beach. At seven, I was given a piano and started with classical music lessons. At around 12-13, I remember listening to a Dave Brubeck record and it just blew my mind. I had a little group and we started playing jazz together, copying those phrases. Then a friend opened a bar in Copacabana called the ‘Bottles Bar,’ and I started playing there with my trio.

It became a place where the now great Brazilian musicians would hang out and play, but also artists in general, poets, writers, painters. It was like a Bohemian hang out in Copacabana. That’s where I met Tom Jobim, who is really the godfather of Bossa Nova, the one who created it, writing those now legendary songs…’The Girl from Ipanema,’ ‘Desafinado.” He became my mentor.


-Sérgio Mendes

“The Good Vibe” by Amaranta Wright
Latino Life

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